The development of Cubism was also inspired by other art forms, such as Cycladic art and African art, but Cézanne played a key role for Cubist painters, despite major differences in their approach to nature and painting.Īctually, Cézanne’s work was so influential that he has not only been called a father of Cubism, but also a father of modern art itself. Jean Metzinger, Tea Time (Woman with a Teaspoon), 1911, Philadelphia Museum of Art A good example is the cup in this painting, seen both from the side and from the top: The Cubists followed Cézanne in breaking the traditional rules of perspective, and then went further by introducing multiple views of the same subject from different perspectives at the same time, which is another feature of their style. Paul Cézanne, Still Life with Apples and Oranges, 1895-1900, Musée d’Orsay, Paris In many paintings by Cézanne, it looks as if each object has its own independent space with its own point of view, which goes against the traditional single-point-of-view linear perspective introduced in the Renaissance. The complex painting received mixed reviews when it was shown in the Spanish Republic Pavilion at the world’s fair in Paris, but it became an icon as it traveled the world in ensuing years, raising controversies on its. Aiming to emulate these Renaissance artists, he returned. Guernica, a large black-and-white oil painting executed by Spanish artist Pablo Picasso in 1937 following the German bombing of Guernica, a city in Spain’s Basque region. This change occurred shortly after the artists first visit to Italy, where he was inspired by the naturalism found in Italian Renaissance paintings. Pablo Picasso, Brick Factory at Tortosa, 1909, Hermitage Museum, Saint Petersburg Neoclassicism (1917-1925) Gradually shifting from the near-abstraction of Synthetic Cubism, Picasso adopted a Neoclassical style in 1917. Paul Cézanne, The Grounds of the Château-Noir, c.1904, National Gallery, LondonĮven though Cézanne was mainly trying to create volume through color planes, the Cubists saw in Cézanne a tendency to represent nature with geometric shapes, which is central to the early development of Cubism. Paul Cézanne, Mont Sainte-Victoire, 1904, Philadelphia Museum of Art The Cubist painters saw two key elements in Cézanne’s work, especially in his late paintings, which influenced them the most. Georges Braque, Viaduct at L’Estaque, 1908, Centre Pompidou, Paris Paul Cézanne, Bibemus Quarry, c.1895, Museum Folkwang, Essenīraque also painted this scene of L’Estaque, equally reminiscent of Cézanne: Georges Braque, Houses at L’Estaque, 1908, Museum of Fine Arts, Bern In fact, the painting that gave Cubism its name is directly connected to Cézanne, first through its title, as Cézanne often painted the small village called L’Estaque in the south of France, and then through its lines and colors, which strongly evoke Cézanne’s work. Paul Cézanne, Mont Sainte-Victoire Seen from the Bibemus Quarry, c.1897, Baltimore Museum of Art Even though Cézanne’s painting project was very different from Picasso’s, Cubist painters including Braque, Metzinger and Picasso himself all said that Cézanne’s work profoundly influenced them.
0 Comments
Leave a Reply. |